He took on the male lead role of Count Axel von Fersen in the musical Marie Antoinette Collaborations:
In the old age black was not counted fair, Or if it were, it bore not beauty's name; But now is black beauty's successive heir, And beauty slander'd with a bastard shame: For since each hand hath put on nature's power, Fairing the foul with art's false borrow'd face, Sweet beauty hath no name, no holy bower, But is profaned, if not lives in disgrace. Therefore my mistress' eyes are raven black, Her eyes so suited, and they mourners seem At such who, not born fair, no beauty lack, Sland'ring creation with a false esteem: Yet so they mourn, becoming of their woe, That every tongue says beauty should look so.
For readers seeking to explore Sonnet 127 further, several academic and literary resources provide deeper analysis: sone127 2021 updated
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At its core, Sonnet 127 is a revolutionary poem. In Elizabethan England, the ideal of beauty was strikingly specific: fair skin, blonde hair, blue eyes, and rosy cheeks. This Petrarchan ideal, named after the Italian poet Petrarch, dominated the poetry of the era. Sonnet 127 directly challenges this, asserting that "black," meaning dark features, can be the new standard of beauty.
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