Yes - Close To The Edge -2013- -flac 24-192- ((exclusive)) Jun 2026

A dedicated Digital Audio Player (DAP) or a computer running specialized software like Foobar2000, Roon, or Audirvana.

For a record as dense as Close to the Edge , the resolution matters. The jump from standard CD quality to 24-192 provides:

Expands the dynamic range from 96dB to 144dB. Lowers the noise floor so quiet passages (like the morning birds at the album's open) are perfectly distinct from explosive crescendos. 192 kHz

Word count: ~1,250. For the collector: Pair this FLAC with a good tube headphone amplifier to soften the transient peaks, and you’ll hear why 1972 was prog’s annus mirabilis. Yes - Close To The Edge -2013- -FLAC 24-192-

Available on the Blu-ray and DVD-A physical versions, also handled by Wilson, providing a greater sense of space. Additional Content in the 2013 Series

Wilson, known for his work with Porcupine Tree and prog-rock remixes, was tasked with remixing the original multi-track tapes. The result is a dramatically clearer soundscape compared to the often-dense original 1972 mix.

What is your favorite isolated moment on the 24/192 version? Let us know in the comments below. A dedicated Digital Audio Player (DAP) or a

Standard CDs resolve audio at 16-bit, offering 96 dB of dynamic range. Upgrading to 24-bit expands this range to 144 dB . For Close to the Edge , this is critical; it ensures that the quietest ambient birdsong intros and the most explosive Church Organ crescendos coexist without artificial digital noise truncation.

If you are a fan of progressive rock, and specifically Yes, the release is an essential purchase. It is not merely a "cash grab" but a thoughtful, lovingly crafted restoration of one of the greatest albums ever recorded. The FLAC format ensures the best possible sound quality, bringing the listener closer to the edge than ever before.

This track serves as the ultimate test for high-resolution acoustic reproduction. Steve Howe’s opening 12-string acoustic guitar chords shimmer with pristine harmonic overtones. The 192kHz sampling rate captures the slide of fingers over the frets and the woody resonance of the guitar body. When the Mellotron surges in the "Eclipse" section, it blankets the soundstage without congesting or choking the acoustic instruments underneath. 3. Siberian Khatru (8:55) Lowers the noise floor so quiet passages (like

Offers complete bit-perfection. The audio files are compressed for efficient storage but decode to the exact byte configuration of the uncompressed studio master. Steven Wilson’s Analytical Modern Remix

According to reviews, Wilson’s 2013 mix significantly improved the album's sound, making it clear, dynamic, and uncluttered. Instruments that were previously buried in the mix suddenly became distinct.

Standard CDs offer 16-bit depth, capping the theoretical dynamic range at 96 decibels. The 24-bit depth expands this range to 144 decibels. In Close to the Edge , this manifests in the dead-silent noise floor. The quietest passages—such as the ambient wilderness tape loops at the start of the title track—emerge seamlessly out of total blackness without any digital quantization noise or tape hiss. The Impact of 192kHz Sampling

The album consists of only three tracks, each serving as a masterclass in progressive rock composition. 1. Close To The Edge (18:43)