Suicideboys Discography -

The duo’s debut studio album captures the chaotic reality of their sudden rise to fame, battling severe addiction, and life on the road. Paranoid, aggressive, and deeply chaotic.

"Carrollton", "Meet Mr. NICEGUY", "Long Gone (Save Me from This Hell)". 2. Long Term Effects of Suffering (2021)

During this prolific period, they released several projects that defined the "Dark Trap" genre. Essential listening includes: A fan favorite featuring "Clouds as Witnesses." My Liver Will Handle What My Heart Can't Includes their viral hit "Kill Your$elf (Part III)". Eternal Grey

Marking a significant turning point, this album highlights Scrim’s journey into sobriety and a cleaner, more expansive production style. Melancholic, reflective, yet intensely heavy.

Navigating a discography with over 40 projects can be daunting. Here is a curated roadmap: Suicideboys Discography

Sing Me a Lullaby, My Sweet Temptation (Listen to "Matte Black").

The interplay between $crim’s gravelly, low-pitched delivery and Ruby’s versatile range—from melodic singing to rapid-fire "chopper" flows—is a hallmark of every project. Conclusion: A Legacy of the Underground

The foundation of the $uicideboy$ discography rests on their Kill Your$elf EP series. Released in parts (or "Sagas"), these short projects allowed the duo to experiment with their sound and build a cult following. The Early Sagas (Parts I–X)

Originally titled I Don't Want to Die in New Orleans , the album was first teased by $crim in a February 2017 tweet. The album chronicles semi-autobiographical stories of the duo's encounters with depression, drug addiction, and suicidal ideation. The album genres consist of hip hop and hardcore hip-hop, along with elements of cloud rap. This record made more use of choruses and ad-libs than their usual work and followed the boys making references to their hometown of New Orleans. Released to critical acclaim in the underground rap scene, the album debuted at number 9 on the US Billboard 200 with 49,000 album-equivalent units in its first week. It was preceded by two singles: "Carrollton" on August 1, 2018, and "Meet Mr. Niceguy" on August 24, 2018. The duo’s debut studio album captures the chaotic

Features more polished production and diverse sounds, including the "Kingdom Come" and "Atlantis" sagas. 2. The Breakthrough Mixtapes (2015–2017)

While the duo has dozens of singles, their recent albums have put them on the Billboard Hot 100 for the first time.

discography remains a testament to independent success. By consistently releasing music that speaks to the "outsider" experience, Ruby and $crim have created a body of work that is as influential as it is vast. Whether you are starting with their early sagas or their latest chart-topping albums, the duo offers a raw, unfiltered look into the human psyche.

The following year, the Suicideboys released (2016), a mixtape that featured a more refined production style and lyrics that explored themes of depression, relationships, and street life. The tape was a critical and commercial success, cementing the duo's reputation as one of the most exciting new acts in underground hip-hop. NICEGUY", "Long Gone (Save Me from This Hell)"

Since their formation in 2014, the New Orleans duo $UICIDEBOY$—comprising cousins Ruby da Cherry and $crim—has built a staggering body of work that has solidified their place as one of the most influential acts in underground and mainstream hip-hop. Initially rising to prominence on the music sharing platform SoundCloud, the duo is known for their abrasive, self-produced beats, as well as their harsh lyrical content and themes prominently featuring substance abuse and suicidal ideation. Through their own label, G*59 Records, they have released a vast and prolific discography that includes numerous EPs, mixtapes, and now, several critically and commercially successful studio albums.

With their debut studio album, I Want to Die in New Orleans (2019), the duo attempted to transition from internet legends to legitimate mainstream artists.

: A series of EPs (Spring, Summer, Fall, Winter) that saw them experimenting with Memphis-style phonk and sampling, heavily pitch-shifting their vocals.