A Chinese Ghost Story I Ii Iii -1987-1990-1991-... ((new)) – Real
Have you had a chance to see these films yet? I'd love to hear your thoughts if you have, or if you're curious about where to start with this classic trilogy!
"It's too dangerous to be a hero." – Yin Chek-ha. But for one trilogy, it was worth it.
★★★★½ (5/5 for Part I, 3.5/5 for II and III)
The A Chinese Ghost Story trilogy, released between and 1991 , is a landmark of Hong Kong cinema that redefined the supernatural fantasy genre by blending "wire-fu" action, slapstick comedy, and gothic romance. Produced by Tsui Hark and directed by Ching Siu-tung , the series became a global cult phenomenon, known for its "Spielbergian" special effects and its hauntingly beautiful leads, Leslie Cheung and Joey Wang . 1. A Chinese Ghost Story (1987) A chinese ghost story I II III -1987-1990-1991-...
Centered on the star-crossed love between a naive mortal and a tragic ghost, the original 1987 film—and its two equally frantic sequels—did not just dominate the Asian box office; it created a lasting cult phenomenon that still fascinates audiences worldwide today. A Chinese Ghost Story (1987): The Masterpiece
The climax features massive battles involving golden flying carpets, giant Buddhas, and apocalyptic lightning storms. The Legacy of the Trilogy
The first film's main theme, "A Chinese Ghost Story," is a melancholic and beautiful ballad performed by the star himself, Leslie Cheung. The song became an instant classic, forever linked to the film's romantic tragedy. The third film's theme, "Tao Tao Tao" (or "Dou Dou Dou"), performed by Jacky Cheung, is a more energetic and humorous take on Taoist philosophy, matching the film's comedic tone. Have you had a chance to see these films yet
Have you seen them? Which ghost broke your heart the most?
In the pantheon of world cinema, few film series manage to blend horror, romance, martial arts, and slapstick comedy into a cohesive, beautiful dream. Yet, between 1987 and 1991, the Hong Kong film industry—then at its creative and commercial zenith—produced exactly that. Directed by the legendary Ching Siu-tung and produced by Tsui Hark, the A Chinese Ghost Story trilogy ( Sinnui yauman in Cantonese) remains a benchmark of supernatural wuxia.
The trilogy (1987–1991) is a cornerstone of Hong Kong cinema, renowned for blending supernatural horror, slapstick comedy, and sweeping romance with high-energy "wire-fu" action. Produced by Tsui Hark and directed by Ching Siu-tung , the series revitalized the "ghost maiden" genre and became a global cult classic. A Chinese Ghost Story I (1987) But for one trilogy, it was worth it
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A human rebel who Ning initially mistakes for Xiaoqian.
The final chapter of the original trilogy, A Chinese Ghost Story III , was released just a year after the second film. The series underwent a significant transformation, jumping one hundred years into the future and featuring an almost entirely new cast. This time, the story follows Fong (Tony Leung Chiu-Wai), a young, gentle, and slightly bumbling Buddhist monk, and his stern master (Lau Shun) as they travel to the Orchid Temple to re-consecrate a golden Buddha statue that has been stolen by local bandits and used to subdue the resurrected Tree Demon. To stop them, the Tree Demon sends her ghostly "daughters" to seduce and distract the holy men. The playful and mischievous ghost Lotus (Joey Wong) is assigned to Fong, but instead of corrupting him, she finds herself falling for his purity and kindness. As Fong and Lotus's secret romance deepens, the monk must defy his master and the Demon Tree to save her soul.
The film's unique blend of romance, comedy, and fantasy, combined with its stunning visual effects, captivated audiences and made a massive hit. The movie's success can be attributed to its rich storytelling, memorable characters, and the on-screen chemistry between Johnnie Yuen and Joey Wong.