The recent release of "The Taking of Pelham 123" in 4K is a treat for fans of the film. The movie has been remastered from its original 2K digital master, and the results are stunning. The film's gritty and intense visuals are preserved, and the 4K resolution brings a new level of clarity and detail to the picture.
The plot of The Taking of Pelham One Two Three is elegant in its simplicity. Four heavily armed men, using color-coded aliases—Mr. Blue (Robert Shaw), Mr. Green (Martin Balsam), Mr. Grey (Hector Elizondo), and Mr. Brown (Earl Hindman)—board a downtown Pelham bay local train. They decouple the front car, take 17 passengers hostage, and demand $1 million from the city of New York, to be delivered in exactly one hour. For every minute the money is late, they vow to execute one hostage.
By cleaning up the dirt and damage while preserving the natural grain and grimy atmosphere, this 4K release allows audiences to experience the sweat, tension, and brilliant dialogue of 1974 New York as if it were happening in real-time. Don't miss the train on this one. the taking of pelham 123 4k
Announced in October 2022, Kino Lorber was the first to bring the 1974 film to 4K under its "Studio Classics" line. This release features an all-new from a 4K scan of the original camera negative . For collectors, this release was a revelation. It offered the film in its original 2.35:1 aspect ratio with a new 2160p resolution.
The plot of The Taking of Pelham One Two Three is brilliant in its simplicity and terrifying in its execution. Four disguised men, using the color-coded aliases Mr. Blue (Robert Shaw), Mr. Green (Martin Balsam), Mr. Grey (Hector Elizondo), and Mr. Brown (Earl Hindman), board a downtown Pelham Bay Local train. They hijack the lead car, decouple it from the rest of the train, and hold 17 passengers hostage. The recent release of "The Taking of Pelham
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The central conceit of Scott’s Pelham 123 is one of confined pressure. A hijacked subway car (Pelham 1:23 PM from the Bronx) becomes a negotiation chamber between Walter Garber (Denzel Washington), a disgraced MTA dispatcher, and Ryder (John Travolta), a volatile mastermind demanding a $10 million ransom in one hour. The film’s original theatrical and Blu-ray releases were criticized for their “teal and orange” color grading and excessive digital sharpening. However, the 4K transfer—likely sourced from a 2K or 4K master of the original digital footage—recontextualizes these choices. The high dynamic range (HDR) reveals that Scott’s palette was not lazy but deliberate. The sickly fluorescents of the MTA control room, the sulfurous yellow of underground tunnels, and the cold, steel-blue sheen of rain-soaked Manhattan streets now possess a tactile quality. The 4K resolution allows the viewer to see the individual scratches on the subway car’s plexiglass, the frayed edges of Garber’s tie, and the sweat beading on Ryder’s forehead—details lost in compression. The plot of The Taking of Pelham One
I rarely see this mentioned in "best 4K transfers" lists, but Sony knocked it out of the park.