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About "Okinawa-Kenpo" ――

Okinawa-kenpo is a karate style which has been developed based on ancient Okinawan martial arts called "Ti". Its technique and thought were studied and refined by a Tomari-te master, Shinkichi Kuniyoshi (also known as "BUSHI" Kuniyoshi) and passed down to Grand Master Shigeru Nakamura, the founder of Okinawa-kenpo. Grand Master Nakamura opened his own dojo "Okinawa-kenpo Karate-do Shurenjo" at Onaka, Nago city and taught his art of karate.

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Welcome to our website.

Okinawa-kenpo is a karate style which has been developed based on ancient Okinawan martial arts called "Ti". Its technique and thought were studied and refined by a Tomari-te master, Shinkichi Kuniyoshi (also known as "BUSHI" Kuniyoshi) and passed down to Grand Master Shigeru Nakamura, the founder of Okinawa-kenpo. Grand Master Nakamura opened his own dojo "Okinawa-kenpo Karate-do Shurenjo" at Onaka, Nago city and taught his art of karate.

Grand Master Nakamura disliked the thought of karate being divided into separate styles. There used to be no Ryuha (schools) in Okinawa karate. All styles were merely called "Ti". That was the reason why he simply named his karate "Okinawa-kenpo", which means "Okinawa Ti". His intension was to unify all styles of karate under the name of Okinawa-kenpo. He called for like-minded karate-ka (karate practitioners) and held meetings to try to make his dream come true.

In June 17, 1961, karate masters from all over Okinawa gathered at Yashio-so, Naha city. At this meeting, they had a discussion about the unification of Okinawa karate and finally came to endorse it (Establishing of Okinawa Kobudo Kyokai). However, after Grand Master Nakamura's passing in 1969, the group fell apart.

Today, Okinawa-kenpo is known as a name of karate style. We use the term of "Okinawa-kenpo" not only for indicating our style, but also for inheriting Kuniyoshi and Nakamura's will. Our goal is to preserve BUSHI Kuniyoshi's Tomari-te and pass it to the next generation.

Okinawa-kenpo Karate-do Oki-ken-kai, Shihan

Yoshitomo Yamashiro

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Storyline: A couple who has been distant due to work or city life takes a secluded beach trip. In these plots, the dialogue is minimal, but the body language is verbose. The woman walks along the tide line, alone at first. The man watches from a blanket. The "conflict" is resolved not with words, but with a hesitant touch. The beach acts as a reset button. The storyline suggests that nature repairs what modern life has broken. The sexual encounter is tender, slow, and feels like a homecoming.

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"Techniques of Okinawa-kenpo Karate-do"

Old style karate techniques and training methods still remain in our system. We train with those methods, which are rarely seen in other Ryuha these days.

Tanren-hou (Training method)

  • "Naihanchi-dachi stance"and its step work
  • "Seisan-dachi stance"and its step work
  • "Four kinds of "back training"

Okinawa-sumo (traditional Okinawan wrestling)

Torite (grabbing)

Buki-jutsu (weapons)

  • Bo-jutsu
  • Sai-jutsu

Our techniques, from empty hands to weapons,are incorporated in a coherent system and consist of common basic skills.

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"Kata of Okinawa-kenpo Karate-do"

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Historically, Okinawa-kenpo inherited various Kata.

The following is a list of kata which are practiced at Okinawa-kenpo Karate-do, Oki-ken-kai

Karate

  • Naihanchi 1 ~ 3
  • Seisan (Tomari-Seisan)
  • Passai
  • Kusanku (Kuniyoshi's Kusanku)
  • Niseishi
  • Pinan 1 ~ 5

Weapons

  • Bo-kata, Shiho-giri
  • Sai-kata (known as Kuniyoshi's sai or Nakamura's sai)
  • Buki-no-kumigata

The vastness of the ocean provides perspective on their problems, while the rhythmic tide offers a sense of stability.

Sundresses, swimwear, and casual clothing shift the focus away from material status and toward raw human expressions and presence.

Intimacy is portrayed as the natural culmination of spending uninterrupted, quality time together. 2. The Summer Romance (The Fleeting Connection)

To successfully merge romance with high-production aesthetics in outdoor settings, directors focus on specific elements that elevate the emotional resonance of the scene. Production Element Creative Purpose Impact on Romantic Tone Utilizing sand, sea spray, and wind.

To explore how these narrative techniques vary, consider looking at the differences between or analyzing common character archetypes in romantic dramas . Share public link

When analyzing the romantic storylines, three distinct archetypes emerge that have made the "xart on beach" aesthetic so iconic.

The removal of modern distractions allows them to rediscover their affection.

In film, the ocean and beach are classic symbols of freedom, transition, and deep emotion. These locations serve specific narrative purposes in romantic storytelling.

The success of Xart's beach-centric productions lies in their meticulous attention to visual and atmospheric details. The seaside setting acts as a character itself, influencing the narrative in several ways:

The physical exposure to the elements encourages a baseline honesty between partners. They must navigate the wind, the sun, and the water together. This shared vulnerability is used in storytelling to signify authentic chemistry, shifting the focus from mere presence to a deeper exploration of human relationship dynamics.

Storyline: A couple who has been distant due to work or city life takes a secluded beach trip. In these plots, the dialogue is minimal, but the body language is verbose. The woman walks along the tide line, alone at first. The man watches from a blanket. The "conflict" is resolved not with words, but with a hesitant touch. The beach acts as a reset button. The storyline suggests that nature repairs what modern life has broken. The sexual encounter is tender, slow, and feels like a homecoming.

The beach serves as a universal symbol for romance, freedom, and emotional vulnerability. In cinema, this setting provides a unique atmospheric backdrop that enhances the narrative weight of a scene.

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Keiko-kai (Training group)

We, Okinawa-kenpo Karate-do Oki-Ken-Kai, work on in a unit called "Keiko-kai".
is a group of like-minded people to practice Okinawa-kenpo any time and anywhere.

Today, there are Keiko-kai in eight region Japan;

"Hokkaido - Touhoku region", "Kanto region", "Tokai - Hokuriku region" "Kansai region", "Shikoku region", "Chugoku region", "Kyushu region" and "Okinawa".

Shihan Yamashiro visits each Keiko-kai regularly, trains them, and conducts open seminars.

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Kansai Keiko-kai
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Kanto Keiko-kai
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Kanto open seminar

Keiko-kai List (Japanese Version)

Overseas

Shihan Yamashiro has been invited by masters of other styles, and conducted seminars regularly.

Seattle, USA  Abbotsford, Canada  Adelaide, Australia

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Seattle seminar, 2010

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Yoshitomo Yamashiro

Yoshitomo Yamashiro

Profile of Shihan Yoshitomo Yamashiro

He started practicing karate when he was little with his father, Tatsuo Yamashiro, who inherited "Ti" from Hiroshi Miyazato.

He won 1st place at "All Okinawa Full Contact Fighting with Bogu Gear Tournament" in 1992 and 1993,
and was the runner-up in 1990 (His older brother won 1st place).
He participated in "World Karate and Kobudo Exchange Festival of the 1st Worldwide Uchinanchu Festival" in 1990.
He established "Okinawa-kenpo Kobudo Club" at University of the Ryukyus, and became the 1st president of the club.
He learned Okinawa-kenpo from Sensei Hiroshi Miyazato directly and inherited ancient Okinawa "Ti".
Today, he conducts the training groups and seminars at Okinawa, Kanto region, Kansai region, USA, Canada, Australia, and etc.
He has made much effort for the spread and development of Okinawa-kenpo.

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Oki-Ken-Kai Fb

Oki-Ken-Kai Facebook Page

fb.com/okinawakenpo

https://www.facebook.com/okinawakenpo

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E-mail